The time, Punjabi’s photographs (like the photographs of Atget) were not considered art but were documents taken for a broad set of purposes: from wedding and family albums to passport photos, from administrative photos to personal souvenirs, from family groups to playful contexts. Through their lack of pretension (ah, there is the key!) “Punjabi’s photographs
In this online exhibition, the Museum of Art & Photography (MAP), Bengaluru, uncovers the remarkable and largely unseen archive of Suresh Punjabi, whose photographs chronicle the social and personal lives of a diverse community of people from the industrial town of Nagda, Madhya Pradesh. The Business of Dreams: Photographs from the Studio of Suresh Punjabi
Mpnews24/nagda: 1850 के दशक से वर्तमान तक के फोटोग्राफी परिदृश्य पर आधारित लंदन से प्रकाशित पुस्तक ’फोटोग्राफी इन इंडिया’ में नागदा के ख्यात फोटोग्राफर सुरेश पंजाबी के चित्रों को विशेष स्थान मिला हैं। नथानिएल गाॅस्केल एव दिवा गुजराल द्वारा लिखी इस पुस्तक में सुहाग स्टुडियो के माध्यम से श्री पंजाबी द्वारा 35 एमएम निगेटीव वाले
लंदन में प्रकाशित फोटोग्राफी इन इंडिया बुक में मप्र से एकमात्र फोटो आर्टिस्ट नागदा के सुरेश पंजाबी के फोटो को मिला स्थान कहते हैं, किसी पल को अगर अमर करना हो तो उसे तस्वीरों में कैद कर लो। तस्वीरें किसी के प्रति आपकी भावनाओं का हाल तो बताती ही है उस दौर, माहौल और परिवेश
In a new visual history, Nathaniel Gaskell and Diva Gujral survey 150 years of photography in India through those who turned their cameras on the country, its people, and, at times, on themselves The history of photography in India is somewhat like the history of English in the subcontinent. The colonizing British often used the camera, much like their
How did you come to be associated with Studio Suhag? I first came to know Suresh in 1982 when I started my PhD research on industrial workers in Nagda. The present exhibition and book go back five years when Suresh told me that his godown had been flooded and he was about to throw away